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Mushaf Sharif Khorasan- Abdullah Tabbakh Heravi (5)

Mushaf Sharif Khorasan | Abdullah Tabbakh Heravi

10.000 $

Mushaf Sharif Khorasan | Abdullah Tabbakh Heravi

Discover the exquisite Mushaf Sharif Khorasan Facsimile Edition, a museum-quality reproduction of the Holy Quran. Originally penned in 845 AH (1441-1442 CE) by the legendary calligrapher Abdullah Tabbakh Heravi, this masterpiece features stunning Muhaqqaq and Naskh scripts with intricate gold illumination. Printed in Germany on high-quality, acid-free paper, and bound in luxurious leather, this rare facsimile (approx. 33 x 47 cm) offers a tangible connection to Islamic art and history. Own a piece of this unparalleled heritage, preserved from the Astan Quds Razavi treasury.

Description

Introduction: Unveiling the Splendor of Mushaf Sharif Khorasan (Facsimile Edition)

The Mushaf Sharif Khorasan stands as an exquisite and historically significant manuscript of the Holy Quran. This invaluable work was meticulously penned in 845 AH (corresponding to 1441-1442 CE) by the renowned calligrapher, Abdullah Tabbakh Heravi. Today, this precious manuscript is preserved within the esteemed treasury of Astan Quds Razavi in Mashhad, Iran.

Due to its antiquity, artistic merit, and spiritual significance, direct access to the original Mushaf Sharif Khorasan is restricted. This applies to the general public and many researchers alike. Therefore, its facsimile edition offers a unique opportunity. It provides a precise and high-quality reproduction, allowing enthusiasts to possess a piece of this invaluable heritage. This product page aims to offer comprehensive and accurate information about this sacred Mushaf and its facsimile edition, informing potential buyers and inspiring them to acquire this treasured item.

A Glimpse into History: The Legacy of Abdullah Tabbakh Heravi and the Timurid Era

Abdullah Tabbakh Heravi was an unparalleled master of calligraphy in the 9th century AH (14th-15th century CE). He is recognized as one of the most prominent figures in Islamic calligraphy, particularly within the Khorasani style, and was among the leading masters of his time. His artistic life coincided with the reign of the Timurid dynasty (1370-1507 CE).

The Timurids played a crucial role in the flourishing of art, science, and culture in the Khorasan region. Herat emerged as a vital intellectual and artistic hub during this period. Timurid rulers, especially Sultan Husayn Bayqara (reigned 1469-1506 CE), were strong patrons of arts and literature. They enriched the cultural landscape by commissioning magnificent manuscripts for their royal libraries. An inscription on the cover of this Mushaf Sharif indicates it was once part of Sultan Husayn Bayqara’s royal library. This connection to a prestigious cultural and academic center significantly enhances the manuscript’s historical value and authenticity.

Historical evidence also suggests that this Mushaf was likely commissioned by Ala al-Dawla (died 1448 CE), son of Baysunghur and grandson of Shahrukh. This highlights the Timurid aristocracy’s deep interest in calligraphy and book illumination. Other works by Abdullah Tabbakh Heravi were also created in Herat during this period. This reinforces the likelihood of this Mushaf being produced in the same artistic center under similar conditions. The 9th century AH is considered a golden age for Islamic calligraphy and illumination, marked by artistic innovation and extensive patronage.

Artistic Brilliance: Unraveling Calligraphy and Illumination

Calligraphy

The Mushaf Sharif Khorasan is written in two primary scripts: the majestic Muhaqqaq script for the main text, known for its grandeur and clarity, and the delicate Naskh script for two sets of four lines interspersed within the Muhaqqaq sections on each page, chosen for its legibility in these supplementary parts. Muhaqqaq script, with its strong vertical strokes and broad curves, conveys a sense of dignity and majesty. Naskh script, with its smaller, rounder forms, ensures readability in the intermediate sections.

Abdullah Tabbakh Heravi demonstrated extraordinary skill in executing both scripts with unparalleled precision and beauty. His reputation for achieving perfect balance and harmonious geometric proportions in letterforms remains legendary in Islamic calligraphy. The high quality and elegance of the Naskh script in this Mushaf suggest it served as an influential model for subsequent calligraphers in the 10th century AH and beyond.

Illumination

The intricate and highly detailed illuminations throughout this Mushaf Sharif attest to the luxury and artistic refinement of the Timurid era. Precious materials like gold (reproduced in the facsimile edition using “MIRACEL GOLD” printing technology to replicate its original luster) and possibly lapis lazuli or other valuable pigments were used in its illumination. This signifies the manuscript’s high status and the substantial investment made in its creation.

The illumination style reflects the strong influence of the Herat school, renowned for its delicate floral designs, complex geometric patterns, vibrant colors, and precise execution. Unique decorative elements include exquisite opening pages with stunning illuminations, three distinct panels (khatibeh) of prominent Muhaqqaq script prominently displayed on each page (except the opening page), and two sets of four lines of beautiful Naskh script carefully placed between these larger Muhaqqaq sections. The unique page design and the masterful integration of calligraphy and illumination create a breathtaking and spiritually uplifting visual experience, representing the pinnacle of artistic standards of that era. Indeed, this Mushaf Sharif serves as an outstanding example for studying 9th-century book art and calligraphy in the Khorasan region.

The Facsimile Edition: Preserving a Masterpiece for Generations

A facsimile edition is a precise, high-quality reproduction of a rare and valuable manuscript. It allows enthusiasts, researchers, and collectors to access the work without risking damage to the fragile original. The creation of this particular facsimile was a meticulous and time-consuming endeavor, demonstrating a commitment to preserving the work’s authenticity and quality.

Experienced printing and photography specialists dedicated a full year to capturing every detail of the original manuscript with the utmost precision. The complex color separation process aimed to accurately reproduce the rich spectrum of colors, including gold and other pigments, found in the original. The high-quality printing of this facsimile was carried out in Germany, a country known for its advanced technology and expertise in producing artistic works. This process utilized special “MIRACEL GOLD” printing technology to fully replicate the unparalleled brilliance and effect of the gold used in the original’s illumination.

The accuracy of the text was thoroughly reviewed and confirmed through close collaboration with Dar-ol-Quran of the Islamic Republic of Iran, a reputable authority on Quranic texts, ensuring the facsimile accurately presents the sacred text. The binding of this edition is also meticulously recreated using high-quality leather, featuring a traditional lachak-toranj design, exquisitely stamped and gilded. The binding process was supervised by Master Shahab Matin Reza and the experienced Toranj binding group, specialists in traditional Islamic book art, ensuring the highest quality. The ultimate goal of producing this facsimile was to precisely reproduce the physical appearance of the original in every detail, including its impressive dimensions of approximately 33 x 47 cm (in the Rahli Sultani format).

Significance and Value: More Than Just a Book

Religious Importance

The Holy Quran, as the direct word of God, holds a central and fundamental place in Islam. Muslims hold it in deep reverence and sanctity. Owning a beautifully calligraphed copy of the Quran, especially one with such historical provenance, is considered a source of spiritual merit, a tangible link to Islamic heritage, and a tool for personal devotion and reflection. This Mushaf dates back to the 9th century AH , a relatively early period in Islamic history, offering valuable insight into the artistic and cultural expressions of faith during that era.

Artistic and Historical Value

This Mushaf Sharif holds immense significance as a testament to the artistic and cultural achievements of the Timurid era in the Khorasan region, a period renowned for the flourishing of Islamic arts. Its unique status as the only known complete copy of the Quran in the hand of the eminent master Abdullah Tabbakh Heravi makes it an unparalleled work for study and appreciation. For scholars, researchers, and enthusiasts of Islamic calligraphy, illumination techniques, and the rich manuscript traditions of the 9th century AH, this Mushaf serves as an invaluable primary source for understanding these artistic practices.

Furthermore, it is crucial for understanding the evolution and refinement of the esteemed Muhaqqaq script and its influence on subsequent calligraphic styles and Quranic production in Iran and beyond. The facsimile edition of this work is not merely a book; it is a valuable and tangible addition to any esteemed collection of Islamic art, rare historical artifacts, or exquisite books, offering a unique opportunity to connect with Islamic cultural heritage.

Product Details: What You Will Receive

  • Physical Dimensions: The impressive dimensions of the facsimile edition, mirroring the original in Rahli Sultani format, are approximately 33 x 47 cm (about 13 x 18.5 inches), showcasing its grandeur and visual impact.
  • Paper Quality: This edition is produced using high-quality, acid-free matte coated paper. This type of paper is chosen for its exceptional durability, archival properties, and ability to beautifully display the intricate details of the calligraphy and vibrant colors of the illumination without glare.
  • Binding: The binding is a luxurious, meticulously crafted leather cover, intricately stamped and adorned with pure gold in a traditional and beautiful lachak-toranj design, faithfully replicating the historical binding of the original.
  • Accompanying Materials: This edition comes with an exquisite guidebook (likely in Persian and English) providing valuable information on the historical background, artistic analysis, and details concerning the original manuscript and the facsimile production process, enhancing understanding and appreciation of this work.
  • Packaging: The robust and elegant packaging is designed to protect this valuable work from potential damage during transit and handling, ensuring it arrives in pristine condition.

Own a Piece of History: Acquire the Mushaf Sharif Khorasan Facsimile Edition

This is a unique opportunity to acquire a museum-quality facsimile edition of the Mushaf Sharif Khorasan, a masterpiece by the unparalleled calligrapher Abdullah Tabbakh Heravi, from the glorious Timurid era. Owning such a magnificent work will not only enrich your spiritual and aesthetic life but also establish a tangible connection to the rich and enduring legacy of Islamic art and culture. We invite you to acquire this limited-edition facsimile to preserve and appreciate a valuable piece of Islamic history and art for yourself and future generations. For more information on how to purchase, pricing, and availability of this exquisite work, please contact us or visit our website.

Table 1: Key Figures Associated with Mushaf Sharif Khorasan

Figure Role Significance to the Mushaf
Abdullah Tabbakh Heravi Master Calligrapher Creator of the original Mushaf Sharif Khorasan, renowned for his unparalleled skill in Muhaqqaq and Naskh scripts and his significant influence on the Khorasani calligraphic style.
Timurid Dynasty Powerful Patrons of Arts and Sciences Their enlightened rule fostered a flourishing cultural environment that heavily supported the creation of such exquisite and valuable manuscripts.
Sultan Husayn Bayqara Prominent Timurid Ruler and Art Patron An inscription on the cover indicates this Mushaf was once among the prized possessions of his renowned royal library, emphasizing its royal connection and immense cultural value.
Ala al-Dawla Influential son of Baysunghur, grandson of Shahrukh, and Timurid noble and art patron The likely commissioner of this Mushaf’s calligraphy, directly indicating his personal appreciation for the highest standards of calligraphy and book art.
Astan Quds Razavi Esteemed Custodian of the Original Manuscript The current repository of the original in their revered treasury in Mashhad, underscoring its deep religious and historical importance and ensuring its meticulous preservation for posterity.

 

Conclusion

The Mushaf Sharif Khorasan, as an unparalleled artistic creation and a valuable historical document, holds a special place in the cultural and artistic heritage of the Islamic world. The facsimile edition of this work has been produced with exemplary precision and quality, allowing enthusiasts to access this masterpiece and benefit from its visual and spiritual beauty. The SEO-optimized content on the product page, by providing comprehensive and accurate information about the history, artistic features, and significance of this Mushaf Sharif, not only helps attract target audiences but also guides them toward acquiring this precious piece of Islamic history and art.

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